Onslaught

https://vimeo.com/119183322

https://vimeo.com/119014579

onslaught COVER

Michael Nhat – “Onslaught”

Dear Dearists,

Today I am excited to announce the recording of “Onslaught”. A 13 track album written and produced by myself. I have had the artwork, title, and sound I knew I wanted since 2007, but it’s taken me 7 years to make this happen. It was worth the wait. Let me tell you about each song.

1. “The Wrong Charlie To Fuck With”
This is about racism. I was determined to make something that was in the same vain of “The Wrong Nigga To Fuck With” by Icecube. Nailed it!

2. “Skin Hanging Off”
In middle school I had a handful of obsessions. One of them was horror films. This song talks about how I built a life-scale Freddy Krueger Claw from scratch.

3. “Don’t We Pay For Splatter?”
I have abandonment issues. I don’t let my guard down these days. I think it’s because I did as a child and was hurt. I think I got attached to some foster siblings and this is about the consequences of that. It’s about a best friend who was like a brother to me. We lived together. We went through the same racism together. And in the end he left too, and my reaction was beating him with a bike chain lock.

4. “Holy Smoke” 
I get high. I get so high that it’s dangerous for me because I black out right where I am standing. This is about the dangers of landing after falling. It seems I’ve landed and left dents in doors or almost land with my face on the corner of a cinder black.

5. “I’m Acrophobic”
I made a beat that ended with some intense noise. I must have been high. I was listening to get some ideas to write about and the conclusion made me think of falling. I thought, maybe this is the harsh sounds of wind we’d hear from first hand experience. I became so engulfed in that happening to me, that I started to cry. So I started writing about that. Falling and fear of heights.

6. Bucktooth (Awkward Japanese Troops)
When I was a child I remember watching Bugs Bunny. I remember every now and then an older cartoon of his would play and it’d have these racist caricatures of Japanese Soldiers. I remember feeling confused. I didn’t understand it at first, but as I got older I realized I don’t live in a country that wants to see Asian-Americans succeed. 

7. “Chong Kim
This is a true story about young woman who was tricked and forced into prostitution and escaped it years later. I have a strong empathy for women. I think I am a closet feminist.

8. “The Plates Full Of Insects”
The first verse is about signing up to hear an audible sound that kills you with decibels. It was inspired by a Japanese cyber-punk film “Rubber’s Lover“. The second verse is about these horrific thoughts I was having for a few months straight of my penis getting sliced up by razors. I later realize the pain in my penis after rough sex was was inspiring me to think about pain in that area. I did not enjoy the pain, but every now and then it makes me scared someone is going to razor up me up in my sleep.

9. “We Got Hammers That Replace Our Hands”
I didn’t realize it until after i finished this song, but it resembles an old song of mine people used to like “Everyone Knows Werewolves Kill”, but better. This is also the first song I recorded for “Onslaught”.

10. “Be Afraid Of The Old”
I performed this once and sent the lyrics in a mass email like this in 2010. I finally recorded it this year. I knew it was going to go on this album. It’s a rebuttal to family, friends that say “You’re never going to make it”. Or “Get a real job”. Every unsuccessful musician with support like that should hear this. It’s a shame to see talent get talked into quitting by the people you think will be there for you. I hope this song gives you something to think about when people you know doubt you and your passion or creative endeavors.

11. “Birth To Something That Isn’t Human”
Have you seen “Eraserhead” by David Lynch? This is my cover of that film. That’s right a cover. I didn’t go the “feel-good” route with this one. I wanted it to have a haunting stab of strings to match the terrifying content and overall theme.

12. “A Song About Racism For Asians”
The title says it all.

13. “Praying For Time”
When I finished the album I knew I wanted a cover song to end it. I recorded Nirvana’s “All Apologies”, Michael Jackson’s “Remember the Time”, and Radiohead’s “Like Spinning Plates (Live Version). I wasn’t happy with the results.I decided on doing one more. George Michael’s “Praying For Time” just fit.
 
Download “Onslaught” at:

You Knew Me When I Didn’t Know Myself

from upcoming 2015 album “Heads On Sticks”

20 Years Of Hip-Hop

On the day after X-mas 1994, I recorded my first song “A Gangsta Way Of Life” with my group Deathslot (He’s the one who isn’t Juvenile). I used a Tascam Porta 01 with an Ibanez guitar sampler and a cheap casio keyboard my mom got at a garage sale. Coincidently, this is also the day my father died 2 years later in 1996. I honestly don’t give a shit about any self-imposed event such as holidays, but the day after Christmas makes me think about how much I’ve made and what my dad did not get to experience past age 57.

Here’s a Youtube Playlist of 20 songs that inspired me that I want to share with you.

https://flic.kr/p/ptvWhs

Scorpio

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“Fuck, this dude is a total hip-hop star! He was about to start the show when he realized that he’d left his beats outside, so there was this five minute stretch of time where everyone in the hallway was chanting “Michael Nhat! Michael Nhat!” Kyle from Narwhal Party hyped the crowd while we waited, asking us about our drug preferences (“Do you like shrooms?!” “YEAH!!!” “Do you like to shoot heroin?!” “YEAH!!!”), and eventually Nhat got there with his jams and started bumping them. The crowd immediately raged and surrounded the rapper” – G. Geis (LA Record)

“In America”

“In America”

I feel like I am the only asian-american around in sight. I was adopted by an American family at a young age so my whole life has been this way so that’s what i expect every time i leave the house since i could remember.

Today, in Los Angeles I feel like everyone who can figure out that I’m not hispanic thinks “chino”. And then immediately stereotype me in their head based on what tv/film has told them or what their family had told them. Based on various experiences of people asking me, assuming me, expecting me, or treating me and what I also see on TV, I have my own stereotype of what Americans stereotype of me.

I think they see me as a foreigner. I think they become xenophobes and which explains their hi-fiving another minority and joking “hey maybe someone can tells us what ching chong ching means” (of course in a Asian-mocking accent). Which doesn’t surprise me, because that’s how America has taught them to be. They taught them we excel at mathematics, have no social skills, won’t hurt a fly, don’t get laid, have small penises, own liquor stores and Chinese restaurants and have no struggle. For Americans who don’t/didn’t have Asian-American friends, their whole theory of us is based on the normalization of bullying us right in front of everyone in their living rooms. I doubt they can name five films or examples of Hollywood films with lead Asian-American males they felt sympathized with.

The way the general American public makes me feel is like everyone’s a potential racist. I feel paranoid when I go out. It makes me stay in. It keeps me an introvert. It makes me hurt. It makes me wish I wasn’t American.

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A Radio Interview: Beats From The East

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CJLO’s Beats From The East Radio Interview w/Mr V.

You can stream from two sites. The first is CJLO.com’s where the episode is split in two making it convenient for you to skip the music in the beginning hour and only play the interview part. The bottom photo will take you to mixcloud.com where the whole episode is played as a whole.

Click on either screen shot above. Thanks.

Michael

My First Show In a Year: LA RECORD Art Show Closing Night GALA

 

Hosted by Dan Collins

You may or may not have come to the opening night of “Dancing About Architecture: L.A. RECORD and the Art of Visualizing the Aural” and had an absolute blast! Well, this is the B-side of that event, the even cooler, even wilder, even LONGER B-side, with more bands, more movies, more readings, and even more ART to buy, both affordable small prints and expensive, one-of-a-kind canvases of your favorite bands, rappers, and guys/gals with guitars. This is the final night of the show:

https://www.facebook.com/events/290640871117441/

Things REALLY start at 2 p.m. with the Pickle Factory’s CLOTHING SWAP! Bring some clothes, get some clothes (changing rooms available onsite).

https://www.facebook.com/events/822010251151842/

The musical entertainment kicks in soon enough and goes all day!

Slammaster MCDC (Chillin’ and Guerrillin’) 3:45 p.m.

Giant Drag 4 p.m.

Michael Nhat 5 p.m.

Geoff Geis 6 p.m.

Pleiades (Gabe Gabe Fulvimar of Gap Dream) 7 p.m.

Open Mike Eagle 8 p.m.

SURPRISE MYSTERY BAND 9 p.m.

Cardoo FEATURING Stephen Kalinich (Beach Boys, A World of Peace Must Come) and DM Collins (L.A. RECORD) 10 p.m.

The Evangenitals 11 p.m.

DJ Zak Lee Aldridge
and many more!
la record art show closing


Continue reading “My First Show In a Year: LA RECORD Art Show Closing Night GALA”

Mixtape: Another Asian Rapper On Mainstream Beats


I always thought it’d be fun to rap on mainstream beats I liked, so I did. Stream the player above. If you want to read an interview I did recently as well, please continue here to Imprint Culture LabMichael Nhat Interview with Imprint Culture Lab