“How to Explain Laughing to Dead Flowers” Unveils a Hilarious and Retro-Futuristic Journey Through Horror and Comedy
A Double-Chapter Cinematic Experience Blending the Haunted, the Absurd, and the Unseen with a Vintage Look.
How to Explain Laughing to Dead Flowers is an innovative horror-comedy that offers a fresh take on the genre, blending surreal humor with disturbing horror across two uniquely stylized chapters.
The film opens with Chapter One, where six friends embark on a hiking trip into the woods. When one of them mysteriously vanishes, the group splits up to search, only to encounter strange and inexplicable events. As the tension builds, one by one, the friends disappear—leaving only questions, dread, and laughter behind.
Second Chapter transports the story to 2060, where two best friends, Jack and Wendy, navigate a desolate world after a mysterious global disappearance in 2023. As they explore an abandoned building on Halloween, Jack begins seeing figures that Wendy cannot. Their bond is tested, and reality begins to unravel—blurring the lines between madness and something darker.
How to Explain Laughing to Dead Flowers offers a unique blend of b-movie charm, surreal comedy, and arthouse sensibilities. Each chapter peels back layers of absurd humor and horror, providing a refreshingly original viewing experience that keeps audiences on edge and engaged.
“Limbless and Breathing” is now widely distributed digitally. 18 New/Unreleased songs I wrote/produced from 2021-2023 with a cover song of “Hungry like a Wolf” which was written by Duran Duran. I drew the cover art in 2012. It was going to be the album cover for my Electro-Goth side project “How Horror Movies Should Sound”, FKA as “Asians That Kill” (with Mary Ann Tran) but I didn’t have any new material coming soon, yet I had a lot of Ten-Headed Skeleton songs waiting to put out that needed an album cover.
A week ago I was walking down Vine Street to work when someone walking towards me on the left got really close to me and tried to hit me, but missed and kept walking. I stopped immediately – turned around and yelled “What the fuck is wrong with you? Why’d you do that?” They replied “Magic” and continued walking away. I yelled “What are you fucking stupid?” they said “Fuck you” and I yelled “Fuck you” back. Then they mumbled something I couldn’t understand then I yelled “All you’re doing making yourself look stupid – that’s my only take away from this”. Then they replied “Fuck you Jew”.
This week I was walking down Vine Street to work when someone I held the door for a few minutes ago caught up to my left side and said something like “Got to make that money huh?”. We kept walking together and talking then she said I’m cold and arm-locked with me. Two women looked at us for a second while passing and she said “They’re jealous because I’m walking with a handsome man”. I got her instagram handle and followed her before we parted ways, but then I started to second guess the interaction and wondered if she was trying ot scam/pickpocket me but was unsuccessful because I just happened to forget my wallet that day and if I did. She would’ve been very close to it when she arm-locked with me. In the moment, it didn’t occur to me I could be a target. So, after I got settled at work I blocked on her Instagram before she could respond or see that I followed her. I appreciate the opportunity to meet someone new, and I appreciate her proactive “dating” strategy, but I don’t trust easily.
I was watching LADY SNOWBLOOD when some classical music came on and I recognized a few seconds of it and thought “Why is that familiar?”
The very day before I remembered an old music video Indie Workforce made for a song I never released and googled it to listen to it and consider for releasing on a new album or re-recording the song minus the feature collaboration because I really liked that sample.
The next day – Seconds after hearing that music on “Lady Snowblood” I realized, that’s the music I sampled for “No One Loves You” which I just looked up and played yesterday for the first time in a decade. What a coincidence.
“Eight Faces Shoved in Cake with Toothpicks” – Inspired by 70’s Grindhouse Horror and 60’s Nasties. If you like MS. 45, I SPIT ON YOUR GRAVE, LAST HOUSE ON THE LEFT, MOTHER’S DAY, this is your cup of tea.
2. FABRIC – Experimental Luminal Horror film so weird I don’t know where to begin except with this image
I will screen these in Downtown LA FOR SURE and maybe submit to festivals before they get made into DVD’s to sell online and at Horror Conventions in 2026.