Imagine if Dr. Dre made his solo album in the 90’s and like most artists decided he only wanted people as big or bigger than him on it. The album would probably feature Ice-T, DJ Quik, MC Eight, MC Ren, Too Short, etc. Instead he chose to put completely unknowns on his albums. No one complained about their lack of popularity or social media followers, we simply listened and indulged. That’s good leadership. That’s contributing. And that’s why I book/record with anyone who wants to book/record with me and invite a wide variety of artists in my history of recording from noise experimentalists to hardcore hip-hoppers to party-ass sex rap. So, if you have an issue with me booking or recording with LGBT musicians or people who sound like mainstream shit, that’s your legacy. I want to bring to people together, that’s my legacy.
I was born November 12th and abandoned by the Delta river for almost a month with no warmth, nourishment or human contact. When I was discovered and brought to the New Haven Nursery on December 16th I had Bilateral otitis perforations. In other words, I was born with ears that weren’t normal and to this day I am partially deaf in my left ear. However, I make music and I love what I make, it just comes to me. Most would say I have an aural handicap. I like to think I was born with a gift due to a medical condition. And Conspiracy Theorists like to think some entity intervened and gave me the power to make music. People who don’t enjoy my music think ear damage is exactly why I can’t rap or make music. You decide what you want, my decision was made in 1992 when is started making music. When you listen to me, you’re listening to the music of a half deaf person.
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On Halloween 2017 I released “Death Doesn’t Care About Love” and decided to challenge myself and see if I can produce 100 songs in a year. On Halloween 2018 I will release “Insert Fangs” as a conclusion. Thank you for listening and sharing my music with your friends. https://tenheadedskeleton.bandcamp.com/
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