I got into hip-hop when I was in middle school in 1988. Fresh Kid Ice (Christopher Wong Won) was the only Asian-American face in hip-hop. He wasn’t the most brainy M.C. that existed, nor did he say or do or wear anything that made me want to emulate him, but I appreciated that he was accepted in the black community for what he was. I related to that. As an Asian-American male with no one in mainstream anything and almost zero other Asian males in my classes. I also, was accepted into the black community. I slightly hoped he’d do a solo and maybe introduce other Asian-American rappers. It never happened. And now it never will. To me he and most likely every American was the first Asian-American rapper. I’m trying to think of how many years it took to see another Asian-American in the hip-hop scene on that level, and I think M.C. Jin is the next to get our attention. And that took hip-hop 17 years to reach. 2004 was 13 years ago. And we still have not had an Asian-American hip-hop act with that much influence that was a household name like 2 Live Crew. 
New EP: “Rarities and Remixes” FREE
Download this EP for Free on Bandcamp.com
Ten-Headed Skeleton T-Shirt $25
LIVE@Saturation Fest
May 28th, 2017 LIVE@Saturation Fest in RIVERSIDE, CA
EVENT PAGE: https://www.facebook.com/events/1247043365421618/

The last time I performed in Riverside, was 7 years ago.
Saturation Fest is a participant-created DIY art and music festival that occurs annually in Riverside, CA. Events are held at venues around downtown Riverside, with a majority of the participants based in the Inland Empire. Saturation includes concerts, films, workshops, exhibitions, handcrafted art and much more. As a mostly all-ages and largely cost-free festival, Saturation pushes for the de-commodification of culture, concentrating instead on the value of the experience.
Details coming soon
New Remix “Be Afraid Of The Old”
Coming Soon: Split In Half EP

Even the perfect White Dad and Asian Mom can have a Son like me
Sometimes I feel a little guilty saying my parents are “not that bad”. Maybe I’ve been “bought off” by reparations. Its funny, in my teen years when I would through my enraged tantrums and wreck the house, as early as 15, my dad told me if he couldn’t control me, he’d get rid of me. Now many, many years later. At a time when my peers have begun to marry and start families. I’m less functional and more dependent on him than I was at 15. During one of my rants I went on and on about how horrible it was being a Hapa man, but that I’d live off of my “reparations” from my White dad. And this enraged him, and he said no one would stop him from throwing a full grown man, my age out of the house. Hes sarcastically brought up my “reparations from my white…
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New Vinyl I’m Releasing This Year
Live@The Forest (TBA House)
House Party at Formerly known as The Forest
LIVE Saturday APRIL 14th for short film screening of “The Purse”
Click on Event Page: https://www.facebook.com/events/475346872796391/permalink/484280905236321/?notif_t=event_comment_follow¬if_id=1491864765414338

Fuck Being Relevant
Fuck being Relevant. That is Herd mentality. Trying to be relevant means to me you’re actively listening to radio artists with contracts with corporate labels owned by rich fucks paid by the deep state to sign ignorance because humans will glorify it and want to be ignorant. Which is how they want us. You’re basically trying to fit in with the enemy which is what’s popular and not make what you want to or would do if you didn’t have a self-induced restriction to what other popular artists are doing. In 2004, when I was the only rapper wearing skinny pants I was proudly irrelevant and I still am. I don’t give a fuck about fitting in with your success.


